Showing posts with label New York City. Show all posts
Showing posts with label New York City. Show all posts

Tuesday, August 28, 2007

I'm sorry.

I leave for Germany on Sunday, so I've been very busy getting everything in order for my trip. I probably would still be leaving all my devoted reader(s?) waiting if it hadn't been for this.March sent me a link for the new MONO DVD, and what did I notice almost immediately? ME, and Gabriel in NYC!! Thats us in the red circle, I'm the dude running his hand through his hair, and she is the girl standing in front of me with a boys name.

I don't have time for a real post right now, but I'll let you be jealous in the mean time.

Friday, May 11, 2007

AIR, The Theatre @ MSG, NYC. 5/10/2007

Good week for “A” bands, first Arcade Fire, and now AIR. Like Arcade Fire, I had not seen AIR prior to last night. It was an excellent show. They had TV on the Radio open for them, which seemed odd. TVOTR (as I’ll abbreviate it), is very much a reggae rock band, which did not fit so well with AIR’s modernist interpretation of 70s electronica. I liked the guy’s voice, and that counts for something.

The show was part of the newly founded Highline Festival. The Highline was co-created by David Bowie, this years “curator.” From the press I’ve read there will be a different curator each year, and it is the curators job to chose the talent. In addition to AIR, Bowie has scheduled performances by Arcade Fire, Björk and Ricky Gervais, amongst others.

This concert was the first time I attended a show at the MSG Theatre, and I liked it. As awesome as old theatres are to look at, they are uncomfortable, hot, lacking concessions and feature inadequate restrooms. This theatre had none of those problems. Not only that, but I doubt there is a bad seat in the house; the whole place looks very well laid out.

On to the music.

I don’t know the names to many AIR songs. I know which songs I enjoy (most), and I could point them out if we were listening to a CD, otherwise I’m clueless. To fill in the gaps I’ll give a little background on AIR. AIR is an acronym for Amour, Imagination, Rêve, which translates to Love, Imagination, Dream. The band has two members, Jean-Benoît Dunckel and Nicolas Godin, each of whom are quite skilled on various instruments. Live Dunckel plays primarily keyboards and synths, while Godin plays guitar and bass. It is Godin’s bass playing that steals the show. His bass signal is processed and put through effects to make it sounds just as obtuse as Dunckel’s Moog.

Most of the songs played were drawn out beyond the length of their recorded counterparts, featuring both Dunckel and Godin improvising along with the rest of the band. They played for about 55 minutes before taking their encore break. They came back and played for another 15 minutes or so. The last song, whose title I do remember, was La Femme d'Argent which clocks in at around 7 minutes on the album Moon Safari came in at over 10 last night. The song was the highlight of the show, with Dunckel playing a very impressive synth solo. A majority of the songs played seem to have come from Moon Safari, which is interesting when you realize it was the groups first album, and they have released 4 more since then. One of my favorite parts of the show was that they played a set list for fans, not an LCD (least common denominator) set list that most bands will play. I was surprised by the fact that they played so few of the songs that you would thing of as being “hits,” not that they actually had any hits per se. It was a good surprise though. My one complaint was that $46 seemed a steep for a 75-minute concert (including encore break).

Wednesday, May 09, 2007

Arcade Fire: United Palace Theatre, NYC. 5/5/07

Monday night was not only the 1st time I’ve seen Arcade Fire, but it was the first time I’ve ventured into Harlem in at least a decade. There’s something I like about Harlem. It feels like a real city. I know it’s part of Manhattan, but it feels like another world when you compare it to the rest of the island. But, that’s not what I’m here to write about.

Opening for Arcade Fire was The National. I was attending the concert with my girlfriend and by the time we go to the venue (an amazing old theatre) we had missed the first song or two of their set. I had not heard of the band prior to the show, but I ended up enjoying the performance. I actually ended up picking up a copy of their last album, Alligator. That was the first time I’ve gone to a concert and purchased an album of an opened I’d never heard of prior to the show. With the new Björk album coming out on Tuesday I haven’t had a chance to listen to it yet. I’ll get to it. The band played about a 45-minute set, which was just right. The singer had a very Ian Curtis/ Paul Banks sound to his voice. It worked well with the music, which was your typical indie-rock offering.

Arcade Fire came on stage to what appeared to be a recording of a female preacher. The kind of preacher you don’t see up north, the kind that looks absolutely nuts on stage, running around and screaming and just giving Christians a bad name. I’m not pointing out denominations, but I think you get the picture. There was a whole religious theme to the stage, with a prop-organ, and some lit up bible silhouettes. It wouldn’t be a stretch to see the connection to Neon Bible.

Highlights of the show included:

No Cars Go: I absolutely love this song. I have the original Arcade Fire ep, and No Cars Go was easily my favorite song of that ep, or the first album. That fact they re-released it, and made it better just blows my mind. Live the song was even better than on record.

Ocean of Noise: I wasn’t crazy about this track as it was recorded on Neon Bible, but live this song really took off. With the tremolo on the guitar it had this great 50s/60s surf-guitar vibe to it.

The band ended the main set with: Keep The Car Running, (Antichrist Television Blues), Neighborhood #3 (Power Out), and Rebellion (Lies). It was amazing. They could have stopped right there. They didn’t need an encore. In fact there was no way for them to top it. They did come back with an encore, but it didn’t really live up to the last 4 songs played.

I really enjoyed the show. As I mentioned above I had not seem them before, although I had seen them on TV a few times, and was disappointed each time. The last four songs really did it for. I had terrible seats for this show. They were hands down the worst seats to any concert I’ve been to in probably 4 years. It didn’t really matter though. The band put on such a great show that I was up out of my seat doing my best not to dance (I must maintain my indie-credibility, and I would’ve embarrassed my gf). One last thing about the show. It was much easier to tell the weaker songs from the strong performed live. I think the new album is good, not as amazing as Funeral, but good enough to recommend to a friend. Of all the songs played from Funeral, they were spot on. They band had the energy, the crowd was providing more energy, they were just draw droppingly good songs. The songs from Neon Bible that were pretty good on record came out great live. But the songs that were a bit weaker, came across as flat. The band just didn’t have it for some of the songs. I don’t what happened. That’s it, here is a set list. Courtesy of Us Kids Know.


Black Mirror,
No Cars Go
Neighborhood #2 (Laika)
Haiti
Black Wave/Bad Vibration
Neon Bible
Windowsill
The Well And The Lighthouse
Ocean Of Noise
Keep The Car Running
(Antichrist Television Blues)
Neighborhood #3 (Power Out)
Rebellion (Lies)

Encore:
Neighborhood #1 (Tunnels)
Intervention